Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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MASTER of the Life of the Virgin
Triptych of Canon Gerhard ter Streegen de Monte

ID: 43561

MASTER of the Life of the Virgin Triptych of Canon Gerhard ter Streegen de Monte
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MASTER of the Life of the Virgin Triptych of Canon Gerhard ter Streegen de Monte


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MASTER of the Life of the Virgin

German Northern Renaissance Painter, active 1460-1480  Related Paintings of MASTER of the Life of the Virgin :. | The Birth of Mary | The Virgin of Mercy | Triptych of Canon Gerhard ter Streegen de Monte | The Birth of Mary | The Virgin of M |
Related Artists:
Karl Friedrich Christian Welsch
German, 1828 - 1904
Jan van Bijlert
Dutch Baroque Era Painter, ca.1597-1671 Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings, such as St Sebastian Tended by Irene (1624; Rohrau, Schloss; see fig.) and The Matchmaker (1626; Brunswick, Herzog Anton Ulrich-Mus.), is characterized by the use of strong chiaroscuro, the cutting off of the picture plane so that the image is seen close-up and by an attempt to achieve a realistic rather than idealized representation.
RAEBURN, Sir Henry
Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh






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